Wilt & Bobby: Not a Random Encounter |
By David Friedman | |
November 10, 2006 | |
by David Friedman "Not unlike Mike Tyson, a later world champion from Brooklyn, Bobby Fischer loved to intimidate."--Dick Schaap "Where there's a Wilt,
there's a way."--Wilt Chamberlain In his memoir
Flashing Before My Eyes, Dick Schaap recounts having dinner with
Wilt Chamberlain at the Hall of Fame center's palatial Bel Air home.
Schaap, the only person ever to serve as a voter for both the Heisman
Trophy and the Tony Awards, loved to bring together eminent people from
different fields and watch the sparks fly.
He became acquainted with Bobby Fischer
in the late 1950s and knew that the World Chess Champion
was in the area, so he asked Chamberlain to invite him over.
Schaap writes that Fischer expressed a great interest in seeing Chamberlain's
house but ultimately declined the invitation. Of course, much
of Fischer's post-1972 activities
are shrouded in secrecy. At least one account suggests that
he did in fact join Chamberlain that evening, just after Schaap had
left... Wilt Chamberlain was known
to the general public as "Wilt the Stilt", a nickname that only
an unimaginative hack could love (or write). His friends called him "Big Dipper", or "Dipper," or even "Dippy" in reference
to how the 7-foot, 300 pound basketball playing legend had to dip his
head to go through doorways that were only designed to accommodate mere
mortals. Like the Greek gods who lived
atop Mt. Olympus, Chamberlain resided in a sprawling pleasure palace
with a majestic view. While the Olympians took their name from the mountain
where they dwelled, Chamberlain named his house after himself: Ursa
Major, the constellation containing the group of stars called the Big
Dipper. Ursa Major sat on a hilltop
overlooking Los Angeles and the San Fernando Valley. The house's most
famous feature was the 10-foot long, triangular section of the roof
that was retractable, providing an impressive view of the sparkling
California sky. Bobby Fischer once dreamed of living in a house shaped
like a rook and containing spiral staircases, so how could he resist
an invitation to Chamberlain's house, with its chrome spiral staircase,
20-foot high ceiling and one of a kind furnishings? Chamberlain, who favored comfort
over formality, particularly when he was at home, was barefoot and
wearing only shorts and a tank top when he greeted Fischer. The World
Chess Champion, clad in a tailor made suit from Argentina that had seen
better days, gripped Chamberlain's huge, outstretched hand a bit tentatively,
his eyes guardedly taking in the mammoth basketball legend and the elegantly
decorated home. They walked inside. Fischer looked around the house
in silent appreciation. "Hey, my man," Chamberlain
said enthusiastically. "Check this out." Chamberlain directed Fischer's
attention to a one of a kind chess set: handcrafted pieces made out
of real ivory sitting atop a gorgeous wooden board. Fischer picked up
one of the pieces, delicately held it with his long, pianist-like fingers
and nodded approvingly: "This is really first class." Chamberlain, an avid chess
and backgammon player, challenged Fischer to a game. Fischer was reluctant
but Chamberlain, whose eagerness to master new challenges was only exceeded
by his boastfulness about his prowess, persisted: "I'm undefeated
here. I never lose at cards or backgammon and I've yet to find a good
challenge in chess." Fischer agreed to play, but
said that to make things fair he would turn his back and announce his
moves without sight of the board. He took white and played his customary
e4. Chamberlain responded with d5, employing the Center Counter, his
favorite defense. The game unfolded rhythmically, a dance of the minds punctuated by each player calling out his move. Fischer declared his moves quickly and with great self assurance. Chamberlain was equally self assured, but deliberated over each move like a gourmand reading a restaurant menu*. 372 Chamberlain shook his head. "I've never lost so quickly at anything." "You didn't have a chance
against me with that line," Fischer replied. "I refuted that whole
variation more than 10 years ago. One guy tried 10...gxh5 against
me, but he didn't last any longer than you did." Chamberlain, never one to either
easily accept defeat or avoid a debate, considered this for a moment
and said, "You just played this whole game from memory. You didn't
really outthink me. If we set the pieces up at random, I'll bet I
could beat you because you couldn't use any of your pet lines."
Granted, that might not sound logical to an outside observer, but if
you spent your whole life doing outsized things that nobody else could
come close to doing then you might be able to convince yourself that
beating Bobby Fischer can be accomplished by changing the starting position
of the pieces. Chamberlain set up the board
to start another game, but after putting the pawns on their usual squares
he put the rooks where the knights should go, put the bishops on the
rooks' home squares, placed each knight on bishop one and transposed
the king and queen."Let's play again." Fischer looked at the
new formation for about 10 seconds, then turned his back and announced
his first move. Within minutes Chamberlain's position looked more
bedraggled than the New York Knicks did when he scored 100 points against
them. Chamberlain looked at the board silently. Chamberlain knew what
Schaap would say: "Maybe you
should play blindfolded. Then at least you won't have to see the carnage." Undaunted, Chamberlain set
up the board with yet another different starting alignment and the two
men resumed combat. What happens when two stubborn insomniacs are determined
to prove that they are right? In this case, an all night session of
a variant form of chess. Chamberlain was right that shifting the starting
formation rendered Fischer's knowledge of book openings useless, but
that actually increased Fischer's advantage, because he could
fully utilize his well honed creativity and positional understanding.
Chamberlain, on the other hand, could neither play the opening lines
that he knew nor could he devise suitable alternatives. Chamberlain grew more and more
frustrated but Fischer saw the light, and it wasn't just the rays
of the early morning sun shining through the retractable roof: this
type of "shuffle chess" had real possibilities. Chamberlain never
did win a game, so he shifted the contest to a different level: what
the new game should be called. Chamberlain favored "Dipper Chess"
or "Ursa Major Chess." Fischer retorted, "Who is going to play
something called 'Dipper Chess'? Besides, I'm the World Champion
and I won every game, so it should be named after me." When Fischer left Chamberlain's
house, no one knew that, other than an unscheduled engagement in a
Pasadena jailhouse, he would not be seen in public for nearly two decades.
When he came back, he was heavier, had more facial hair and was a little
more (ahem) eccentric and he also spoke of a new version of chess that
would stump computers, eliminate pre-arranged draws and revitalize the
sport: Fischer Random Chess. So how come Chamberlain's
autobiography didn't mention his role in creating Fischer Random Chess?
The answer is simple: he did mention it in the first draft but one all-nighter
of chess versus Bobby Fischer inexplicably did not make the cut over
20,000 other nights that Chamberlain enjoyed. Oh, one more thing--that
digital clock that Fischer patented and has become standard fare at
chess tournaments--there is a great story about its creation, but that
will have to wait for later.
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